EN

Contemporary art fundamentally opposes war.
Thus, I oppose Japan’s new security legislation.

War creates separation between “we” and “enemies”.

Who are the “enemies” considered as a danger?
What are the profiles of these “enemies,” made into targets for unmanned aerial combat vehicles?
Where do the “enemies” in a state of war come from?
Who really are the “enemies,” positioned as evil to outside of the society?
The imagination of art goes to these “enemies”.

Time and time again, the history of art has praised war.
Not just as a result of unconditional obedience to orders.
A desire for war always lies in humans, which makes mankind’s extinction a superior aesthetic pleasure — “war is beautiful.”
An imperfect animal that senses “élan vital” in battles and killings, humans make war a spectacle.
On the monitor is a war taking place in a “far country”, giving no actual sense of violence and death.
Once distant from it, everyday life continues to go on, as if “the war did not take place”.

On the other hand, art has portrayed each person’s singular death that occurs in war.
It has conveyed how murderous actions thoroughly destroy the human mind.
It has expressed painful memories that afflict the future over many generations.
It has converted the emotion of violence and revenge, which would lead to war, into “lyrical terrorism”.

War creates separation between “we” and “enemies”.

In the midst of dichotomization between justice and evil, “barbarians”, who threaten the nation’s existence, are created.
Divisions, discrimination and dichotomies between different nationals, civilizations, cultures, races, economies and religions.
That is where a collective called “we” arises, automatizing the system of censorship and self-censorship.
The imagination of art goes to “we”.

Japan bears a future to be a neutral country that realizes high-level peace negotiations by thrusting into the thick of grudges, hatred and antagonism.
Proactive contribution to peace can be achieved by strategically taking advantage of Article 9 of the Japanese Constitution.
This must be a historical necessity based on remorse over World War II.

There are unbreakable contracts with the past.
Contemporary art thus fundamentally opposes war.

Signed

Shiro Masuyama
Rika Aki
Kokatsu Reiko
Meiro Koizumi
Kazuhiko Yoshizaki
Kosuke Hatano
Vincent Vandaele
Hiroshi Sunairi
Yaegashi Yoshihi
Michiko Tsuda
Keiko Goto
Shiigi Shizune
Yoshio Shirakawa
Toichiro Tanaka
Kaz. Sakurada
Hanae Utamura
Rumiko Hagiwara
Sachiyo Honda
Masaki Nakayama
Naoya Fujita
Toru Koyamada
Ryo Fujii
Manabu Takano
Migiwa Orimo
Yusuke Mitsufuji
Keiji Saito
Katsuhiro Saiki
Koichi Tanibe
NAKAJIMA Yuta
Aisuke Kondo
Fumio Inoue
Yukiko Nagakura
Ayako Osanai
Hajime Nariai
Yuki Okumura
Jun Fukae
ON megumi Akiyoshi
Tamaki Kawaguchi
Yasuto Masumoto
Hiromi Takai
Yayoi Yoshizawa
Satoshi Nakashima
Satoshi Koganezawa
Jun Yang
Kaori Homma
Yuka Tokuyama
Ken Sasaki
Natsuko Kurashige
Hiroshi Sugawara
Emi Endo
Shigeo Arikawa
Satoshi Hashimoto
Megumi Shimizu
Hiroki Yamamoto
Jun Miyagi
Yuri Shirasaka
meosai
Satoshi Otsuka
Masami Kondo
Kazuhito Tanaka
Yuki Harada
Satoshi Uchiumi
Hikaru Fujii
Hitoshi Mori
Jun Kawada
Atsuko Nozaki
Koki Tanaka
Yohei Tomooka
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